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Changes in Comic, Downey Jr, Gus


The young actors of Netflix’s Sweet Tooth dress up in costumes to make them look like a horse, a bear, a tiger and a rhino.

The Animal Army.
Photo: Netflix

If you are only going to list all the elements that make up the new one Netflix show Sweet Tooth, you’d think it was just a bunch of random ideas coming together. In fact, we test that theory: deer boy. Robert Downey Jr. Post-apocalypse. Army animals. DC Comics. Soccer star. Lord of the Rings. VR games. Strange, isn’t it? But not really. Bsound those ultimately non-random ideas together in a logically satisfying way, it’s a impressive task, and it’s a job that has fallen into showrunners Jim Mickle and Beth Schwartz, who spoke at io9 last week.

“It simply came to our notice then [of] if I could make an apocalyptic story that would take you to a place I wanted to go, or actually gave you a bit of a sense of hope or optimism, ”Mickle told io9 for video.“ That feels like a rarity and it feels like a real opportunity with a character like that. Gus “. Sweet Tooth-Adapted from the smoke of Jeff Lemire- is now on Netflix and tells the story of Gus (Christian Convery), a half-deer kid who tries to survive in a post-apocalyptic world where beings like him are vilified and experienced. He grew up in isolation from his father (Will Forte) before leaving in a world he is largely unprepared to face. it is uncertain.

The crew, led by Gus.

The crew, led by Gus.
Photo: Netflix

Schwartz thinks having Gus at the center of this story was also a big help. “The tone that I think we have maintained throughout the season is just the heart and hope from Gus,” he said. “It’s the anchor of the show.” And I think everything grew out of that in terms of, you know, obviously the visual tone of everything is just amazing and gorgeous, but the heart of our characters is that they feel real and the scenes try to find a family. And I think that kind of thing has become more important than the background of the post-apocalypse. ”Mickle added,“ I think the world has opened up to being able to mix genres and mix tones, and that has been really fun and comfortable. to play. I’m a big fan of Korean cinema and just like they take all those ingredients and mix them into something new. And I feel like for a long time I was tougher with the American public, in a way, and now I feel like they’ve gotten … maybe it’s because there’s just so much [content on] Netflix and you can sort of take really big shots and you can mix really dark stuff with fun things and humor, which gave us a much bigger canvas to play with. ”

Mickle had been a fan of DC Comic by Lemire for a while but he didn’t even know he was on the table for the adaptation until he took a meeting with Susan and Robert Downey Jr.. “I had talked to them about some other project and … they created it like‘ We think about this for television. How does it look? he said. “So it started from there and they were incredibly supportive of the get-come on. Schwartz added, “Once inside, they were incredibly collaborative and involved in virtually every stage of the show. We would send them our history documents and give them notes and our scripts and up to the shot. They had Amanda [Burrell] and Evan [Moore], two of its leaders, on land in New Zealand helping to produce. And in the casting. Honestly, they are our partners in everything. ”

Gus and his father, played by Will Forte.

Gus is his father, played by Will Forte.
Photo: Netflix

Among those decisions were to make some rather significant changes from the original comic. We introduced a lot of characters that appeared much later in the comics [earlier], ”Mickle said. “The comic itself says, especially at the beginning, a lot from Gus’ point of view, what we did for the first episode, of course. And then, as the story goes on, I think we’re starting to bring in characters that don’t meet. not until sometimes like 12 numbers in the smoke.This gave us a real opportunity to put into practice who those people were and, not enough [do] stories of origin, but you just have to have a sense of who they are before Gus meets them. Then it was really fun. But it also meant we had a lot of creations to do, which was also fun. ”

One of those additions was Bear’s new character, played in a truly memorable, star-making show by Stefania LaVie Owen (And Carrie Diaries). Bear leads the Animal Army, who I know in the original comics, a group of children sworn to protect hybrids like Gus. But for the show, the team wanted to take the idea and take it to the next level. “We wanted a female teenage protagonist, first of all,” Schwartz said. “It was really important when I came to the show and everyone was really looking for this kind of character to add to our little ragtag group of Jep (Nonso Anozie) and Gus … And then we started exploring what worlds would be so incredible for Gus to know and talk about a city made up and run by teenagers Like, how much fun is that for a kid who hasn’t explored the world to see kids eat candy and play video games and all [that] kind of I wish realization? “

Awwwwww.  Come now!

Awwwwww. Come now!
Photo: Netflix

These and other changes will certainly run counter to the original comic but Mickle and Schwartz said Lemire was totally on board. “It was nice for all of that,” Mickle said. “She’s just been a cheerleader, but also like a good compass.” Mickle explained that Lemire has adapted his own work for the screen before so he understands that changes are needed. “He had this beautiful line at one point where he said,‘ A comic sometimes is like five to eight scenes and all of a sudden you do a TV show and you need more. “So he had it because we had to make some changes that, I think, he liked a lot.”

As for when or if we’ll see more of these things, Schwartz and Mickle wouldI don’t say if they have plans, or have started working go ahead, a second season of the show, but I think this first season stands on its own and has come together as well as you could imagine. We structured the whole season around the end, “Schwartz said.” And in fact, when we were in place [production] in the end, watching the finale, one of the last lines is something we’ve had in our season a pitch for Warner Brothers and Netflix, and it’s been exactly the same. And I pointed it out because it’s not extremely common where something you choose before doing it all season stays exactly the same. So we always know the end. ”

This kind of fortuitous synergy seems useful for making the show look like so many random elements all come together. But he paid. Sweet Tooth is now on Netflix.

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